Bring Me My Stick, O Snakes Unfold: Paul Grist, Superhero Comics, and Britain

The National Pastime: Violence As Spectacle In Film and In Ourselves

INTERVIEW: Simon Bisley, still the dog’s bollocks after 35 years

Man Of Tomorrow: Deathlok As A Transhumanist Manifesto

An Introduction From The Gutter Review

You Can Call Me Al’s Baby: The Bundle of Joy in a Throwaway Title

Pop Cult(ure): Examining the Evolution of Cults as Entertainment

In The Blood: The Tragic Eroticism of Jean Rollin

Coloring Outside D’Lines: On D’Israeli and the Continued Evolution of British Cartooning

Quality Jollity: The Moldable Forms of Kyle Baker